Sunday, January 27, 2013

I'm done, I'm done, I'm done, you won this time

Do you know the history of the .mp3? NPR wasn't sure we did, so went to Karlheinz Brandenberg to get the real story. It's fascinating, uneasy-making stuph.

And you will never see me on this hunt. Talk about missing the point...in all directions!

Looking for a terrifying avatar? I can help you with that.

The FTC has finally stepped in and forced Linden Lab to change their "Become your avatar!" campaign, on the charge of false advertising. You can see the revised before and after pictures on Miss Questi's blog.

(Yes, yes, it's a parody...but seriously, that would be cool if they did it that way.)

And this is one of the most impressive images I've seen from a Second Life photographer. My eyes keep telling me it's real; that the combination between the exquisitely textured sign, and the veiling of approaching night, manage to remove the computerized component entirely. Would it still feel "real", to me, at any other time of day? Likely not, but as it is, it's stunning.

Meanwhile...in a texture group far, far away...

[20:57] Bxxxxxxxx Sxxxxx: sprinkles the otter with pink glitter...
[20:58] Dxxxxx Kxxxx: dear santa thane, id like a martini the otter hasn't stirred with her paws... that is all
[20:58] Sxx Wxxxxxxxx: NO!
[20:59] Sxx Wxxxxxxxx dabbles her paws in ALL THE MARTINIS
[21:00] Bxxxxxxxx Sxxxxx: --==crate=--
[21:01] Sxx Wxxxxxxxx: AAAAGH NOT THE CRATE!!
[21:00] Dxxxxx Kxxxx: hehehehe

[21:01] Emilly Orr: So first we had an otter covered in pink glitter. Then we had otter retaliation by stirring all the martinis. Does that mean we now have martinis with pink glitter in them?
[21:01] Emilly Orr: Is it edible glitter, at least?
[21:01] Bxxxxxxxx Sxxxxx: it is! like kid proofing the house, we have otter proofed this group
[21:02] Sxx Wxxxxxxxx: havent!
[21:02] Sxx Wxxxxxxxx: well - maybe for a while - gotta go to beta grid
[21:02] Sxx Wxxxxxxxx: but Ill be back!
[21:02] Emilly Orr: You forgot the MUAHAHAHAHA.
[21:03] Sxx Wxxxxxxxx prances off giggling darkly to herself
[21:03] Emilly Orr: Close enough.


Seen at Patron, spinny people:

(from the random album)

Sculpted by Miss Eliza Wierwight (she also owns the Patron sim), the entire installation slowly rotates under a giant red balloon, and it's far more impressive in person. Do go look.

And there's a certifiably angry bird at La Boucherie:

(from the random album)

See? Angry. Really angry.

Seen at The Cube, the sculpture "Womanflower":

(from the random album)

This one was worth going back through to check again, because I wanted to name the artist. (She's Yaiza Galicia, by the way. She's also got a Marketplace store where you can purchase her sculptures at insanely reasonable prices.) The Cube gallery is a linked set of installation spaces, with artists that rotate in and out taking each of the cubes, or only some. If you go, they're happy to send you an invite to their group to keep up to date on the artists in residence.

If you're wondering how J.J. Abrams will do directing the Star Wars reboot, other fans are wondering the same thing. Ross Thompson did a trailer mash-up of both films, just to find out what it might be like.

Do you like zombies? Do you like teddy bears? Ever wonder what you'd get if you mixed the two? I can now answer that, also.

And there's a lot of Kickstarter project videos that start with the fairly artificial "surprise" angle--"Oh hey, I didn't see you there!" Kickstarter's finally made a video montage of projects that have used this angle.

Finally, there's a movement afoot against lives of indulgence and overspending. People are finding smaller spaces, and learning how to live in them; sometimes by building them, sometimes by buying or renting them. Felice Cohen is one of these people, who started out living in a tiny, tiny space, but--due to publicity and sub-leasing restrictions--now lives in a much larger one.

The bit about that which I think is important: she misses her old space. She misses feeling like everything she loved was nearby. I think making the sacrifice to live in smaller spaces means we find out what's truly important to us, and we work on making that feel like home (or reflect the home we have). Instead of what we think we 'should' have, or 'should' be working towards, we work on what we need.

More of us need less than we think we do, to be happy.

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