[19:43] Old enough to have a surname (ladyheart.sweetwater): i want to say sorry to anybody in the sand box for 1: crashing the sim and 2: smacking you in the head with a elevatory floorOkay, then.
[19:55] Nazarr: mi internet conexion sucs
[19:56] Nazarr: im sorry 4 that
[19:56] Nazarr: suxsThe fact that he had to correct the spelling on "sucs" kills me...considering he got the word wrong
both times.
"They've been had. Totally. Completely. The closer you were to this guy and the more you believed and trusted him, the more he ripped you off. He isn't your buddy, he isn't your friend, and he doesn't care about you--and he never did."
Axi Kurmin nails it again, and for
anyone who still thinks xFire Xue was a good guy, just maligned by "the system"?
Read that.
And this, from a founder of IMVU:
"When your customers become your allies, there’s almost nothing you can’t accomplish together.
There’s only one catch. You can’t stop listening.
That's nothing more than basic, unvarnished truth, and if ever anyone with any connections to the Lindens might be reading this,
pass them that link. To this
day IMVU still has image problems, big ones, because of that mistake. The Lindens have gone overboard with mistakes in community management, I don't think anyone denies that--but it could all be reversed if they would take the time to
listen, instead of further fostering the impression that they don't--or don't want to hear what we want to say. Because that just leads to the impression that the Lindens do not care in the
least about what we have to say--which is where we are now.
(And a tip o'the hat to Mr. Headburro Antfarm, who brought the link, and
the blog, to my attention.)
About a week ago at this point, news filtered down that Elvina Ewing had lost her mind--
again. She set her
Ambrosia gowns on the Marketplace for sale on a 40% discount. (As of this writing, they're
still at a 40% discount.) Why? Because--according to her--Evangeline Miles of Evie's Closet copied her dress.
No, really. That's what she's saying. So of course, I had to look into it.
This is Caverna Obscura's "Ambrosia" gown, shade Orange. And I have to be honest with anyone reading along, this gown is
gorgeous. The leaves on the upper skirt are all sculpted, but some plant leaves don't move a lot anyway, so it doesn't feel unnatural in the least. And the little drops of dew--which are also reproduced in smaller form along the flower-cap sleeves--very nearly iridesce in person. And for the gown I chose, this is absolutely a deep, rich, California-poppy orange. I admit to a definite partiality for California poppies, and Miss Ewing selling this particular shade didn't hurt in the least.
Granted, the hair I picked to showcase this pretty much effectively hides the back detailing, though the lower back cut-out work can just
barely be seen. This shot was mostly to show you that there are parts of the flower-sleeves that
do move, and wonderfully.
This gown comes with several attachments for whatever effect the wearer wants; this picture shows off the two back leaves that curl up like a structured corset along either side of the spine (they're both pectoral attachments, which is frankly genius).
So far, all the shots have been of the maxi skirt length. This is the best shot I was able to get of the midi skirt. The midi length is less ballgown, and more tattered-petals, and it moves wonderfully.
Finally, this is the mini skirt length, which is a blend of flexi panels and curving sculpted petals. The outfit doesn't come with stockings, so I didn't wear any for the shots. All three skirt lengths carry that hint of 'tattered petals', and while there may be some alpha flicker, I personally didn't notice any--and while I was on Tol, I did a lot of walking, running, flying, swimming, falling--so while it
might be there, to be honest, I noticed more alpha issues on the
hair I chose for these shots.
There's also an included necklace of vines and petals, and coming this close to take the shot also shows the detailed shading on the corset top. I grant you, the shading on both skirt leaves and corset cup leaves are more reminiscent of rose leaves, but really--you won't care.
Finally--and yes, I moved indoors for this one--there are both bloomer and glitch-pant layers included with the gown, and a separate sleeve style. This shot shows the bloomers and the secondary sleeves. I feel positive that the bloomers could be worn without the skirt as a little 'romper' style outfit, or with a silk-style skirt (one that's flexible panels on a chain belt, say) from another outfit entirely.
Being entirely sculpt pieces, the separate sleeves don't move, but again, they're charming enough you won't care.
This is a
gorgeous piece, start to finish. It requires very little fitting out of the box--in fact, the
only thing I did for these shots is move the necklace down. It's attractive, very well-made, and I am definitely thinking I need it in more shades.
So, you have Ambrosia's style firmly in mind at this point. Now, what Miss Ewing says is a blatant copy:
This is Evangeline Miles' 'Eden' babydoll-styled dress, in Marigold. Just let that sink in for a while.
It comes with wings, shoes, a vine-and-flowers crown (not shown), and stockings--all things the Ambrosia gown does
not have. It also has a pair of separate-shoulder attachment wings (also not shown), and both a right- and left-oriented vine/petal 'brooch' (not shown, because one attaches to the spine, and the other attaches to the chest--the same place the skirt attaches to. So I had to scramble to get back
in the skirt after that!).
What does it have? This one skirt. Just this one. Which, in all fairness to Miss Miles, is lovely, but is also in the babydoll style that makes most of my AO poses look like I'm pregnant. While it
can be edited (and I may make a copy, and see if I can't play with the length), this is also the only skirt, as I said.
The shoes are adorable crossed-strap flats in a complementary shade, and there is the suggestion of leaves just under the breasts, though that's the only suggestion of petal-dress, really. (And I don't mind that, I'm just making the point.) The shading on the not-petals themselves, is subtle, with multiple slightly-sheer layers making up the skirt (130 prims in all) that tend to flow through each other, so now one has a hint of fluid lines, now one has sparkle, now one has a glimpse of smocking...Very, very effective.
This shot, in addition, shows the stocking toppers--sadly, none of the shots I took from the back really shows them off well.
Baghera--he's the black panther off to the right of the shot--
really didn't like me being in his territory, so most of these shots were taken while he and his mate, Miel, were snarling at me, pushing me aside, or toppling me into the daisies. Still, I think there are a few definite good things about this outfit, from the included shoes, to the stockings, to the fact that I think part of my pulling back from the babydoll skirt is form-based: on my normal (okay, five-foot-very-little, but still) form, it doesn't hit me right, but on my four-foot pixie? Especially if she's in flutter mode? This would be very nearly
perfect.
So, end results. Of the two gowns, I definitely prefer Caverna Obscura's, and I think with all the options, I'll definitely get more use out of it. This is not to say that Evie's Closet 'Eden' gown isn't a lot of fun--but I'll likely stick to gowns from her store that start off with longer skirts from now on.
The 'Eden' shoes are beyond cute, the stockings are wonderfully shaded and drawn, but
the only thing that's even a
hint at any sort of copying is that it's also a petal dress. And there's only so many ways a designer can make a petal dress, after all, if one is being faithful to the concept of flowers in the least.
For all shots, I was wearing Nomine's "Calliope" skin from her Clown line, hair from Analog Dog (Maddy, Bleached, but tinted poppy-orange), and old Pixeldolls "Starry-Eyed" eyes in bright hazel--no longer available.Evie's will set you back L$395, and depending on how the skirt edit goes, I may get the Wisteria shade as well. The "Ambrosia" gown (since it's on sale) is L$350 on the Marketplace (still), and I am beyond tempted to pick up the Lilac, the
Pink and the
Red (though I'd like it if it were a brighter, "rose" red). Another plus is that her
Dream Thief line of outfits are (save for the
Dark variant) done in the same shades as the Ambrosia gown, for ease in mixing and matching.
(While we're here, I'd love to know who the "other designers" were that she's forebearing to mention. Maybe she's so fixated on Evangeline Miles, every other designer of floral gowns pales in comparison...)
Go to
Caverna Obscura if you like the thought of multi-petal gowns, that are excellently shaded (though in world, they're not on sale; they're at their normal price of $550). Go to
Evie's Closet if you like the idea of a simpler pixie gown, that also comes with shoes, leaf wings and stem "crown".
Other than the price being similar, there's nothing that links these two dresses
other than both being floral gowns, and I hate to break it to you, Elvina, but they've
been around for a while. (And yes, that was five image links, all of them dating back at least a century, if not longer.)
(And while I'm at it, did I mention Miss Elvina's abusing Wizards of the Coast/Dungeons & Dragons copyright by having an outfit named after
Mialee, a trademarked character in the D&D books? And her latest release is, by her own admission, adapted from a Guild Wars ranger armor. But noooo,
she's the one whose outfits are being stolen...)