Showing posts with label Avilion Isle. Show all posts
Showing posts with label Avilion Isle. Show all posts

05 August, 2007

have I trusted blindly in your love, too many times?

I miss him. Of course I miss him. It's understandable.

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After a dear friend introduced me to the Avilion Grand Ballroom, I took the kitten there. He wanted a quiet place where we could discuss the--at that time, one or two months ago--upcoming move. I wanted a place of such sweeping beauty I wouldn't mind the pain of the memory, there.

Avilion worked for both of us--the quiet hush as we spoke in low voices, little more than the scrape of his shoes on the turns, the swish of my skirts, the utter clarity of everything, in that place. Single most breathtaking ballroom I've seen on the grid, hands down.

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Of course I miss him. It will be harder to contact him, he's so far away. The effort will be made, but I know how it is...people leave the grid, I maintain, I communicate, I reach out...and then I get distracted. It's a common fate, but no less distressing for all that it's common.

Severance...destabilization...parting...this understanding hovers near me and I wait. Trapped in that moment between inhaling the shock of it, and exhaling and moving on. I can't move forward. I don't know how.

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I still need to finish this dress. Maybe buy the settee. Work on more attire. Decide once and for all what I'm doing with my rental land, and how it's going to look, because as it is now, it's not even a sidewise approximation of what I wanted, and...so much to do.

So much I want to do.

So much I want not to do.

It's tricky.

My diamond's clouded over where it used to shine like light,
And the day keeps running faster,
Into the arms of night...


The stitches on the tapestry say,
"Everything in time,
Will find its way home again,"
But I'm tired of crying...


When did it stop being fun, this existence? I need that back. When there's too much drama for the girl who lives at the heart of it, there's something wrong.

There's something wrong. Now I need to fix it.

I don't know how to do that, either...but at least I'm committed to trying.

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(Lyrics are from "No Second Chances" by Blackmore's Night.)

20 April, 2007

in the dark of night, those small hours

((RP MODE))

Once, long ago, in distant memory, the Drow dwelt on the surface, with the other races of elves. At that point, they dwelt in places rich in overgrowth--old forests, jungle spaces, places with overhanging trees and branches thick with moss--and even then, they were known as 'dark elves', for the color of their skin.

Because they prospered in their places, and were highly skilled with magics, over the talents of their hands, the lighter-skinned elves called them lazy, excessive, and decadent. Because they believed punishment should be dealt quickly, rather than stretched out into the endless time the 'light elves' would allot...the other elves named them vicious and cruel.

The other elves banded together--light elves, grey elves, High elves of the ruling councils, small brown elves of the forest lands. Through superior numbers--and because at that point, the dark elves feared no treachery from other elven hands--they were forced away from their homes, away from the surface world, their numbers depleted.

They ended up underground, in vast echoing spaces lit by oddly glowing crystals, radiant waters, populated by beasts the surface world could never understand. There they made their stand, formed soaring cities lit by new illuminations, and met their Demon Queen, the goddess Lloth.

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Welcome to the Underdark.

One of my friends has recently become involved with Avilion Isle. He loves it there. I have to agree--beyond the long-lost Tusk, it's the most impressive build I've ever seen on the grid. And he found a passage to chambers below the ground, and wanted me to see them.

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The passageway down, long and steep, is littered with torn wings--demifae swirled sets, majestic angel feathers, butterflies' best adornments--making it very clear that going down is more dangerous than departing. Making it clearer was noting, about halfway down the passage, the corridor-filling spiderwebs, glistening with dew and artistry.

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Once we reached the bottom, the source for the dim violet illumination became plain--large, freestanding crystals, giving off their own subtle radiation, their own illumined glow. The main space was huge; I couldn't see to the top of the overarching ceiling.

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I can only assume some giant creature died, at some point, or was killed by the denizens here, and the skull dragged into position over this small pool. It's very large.

We met up with a resident of the Underdark, a Drow male, who challenged us. As I was in the pose of a Drowess, I challenged him back. Whereupon he laughed at me, and said that sometimes, our true faces shine through any disguise.

Turns out he also shares space with the surface Drow of Lumindor. And he knew of little Em the shifter's ways.

That turned to our advantage, though--he was so tickled by my attempt to conform to Drow appearance he gave us the freedom to wander, for a night, assuming we did not run into any acid-tempered drowesses about. We bade him travel safely, and we were off.

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We still do not know what this structure was. Formed partially of the same ultraviolet crystals, part of natural stone, it was linked to the main land on which we stood by an arching bridge, over another of those radiant streams. We carefully walked over the bridge, keeping very quiet.

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In the large space inside, were three thrones. One was obviously the throne of the Matron Mother, or perhaps the highest priestess of Lloth this particular Underdark city had. Another was simpler, but cut from the same dark stone as the hall. This one, though...

Why would Drow have something so obviously of the surface world? White marble...white stone...is it ancient, that they have kept from their time above? Was it a gift from the rulers of Avilion Isle?

We didn't know, and we didn't want to wait there to see. We watched the spider fire bowl, looked at each other, and carefully walked out.

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My friend showed me another way out, an arching stone path winding around the main cavern space, that led through more cobwebs to the surface. Oddly, we never saw any spiders--barring the ones I brought in--though we would have been careful, had we. Killing a spider in Drow lands generally results in death, and in particular, painful, excruciating death. Spiders--as living avatars of Lloth, the Spider Goddess--are sacred.

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Several more giant cobwebs stretched across the path. Most we were able to gently phase through, the act of a small moment of concentration, before we continued on. It took some time. And always, the pervasive silence of the deep, soothing and unsettling at the same time.

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The passageway opened up past spiderwebs and curving stone corners into a cavern behind a waterfall, marked with the arching tree of Avilion Isle. Sparkling crystals inset into the walls gently chimed, dancing lights within swirling, as we arrived from the Underdark. As magical as the lands below were, and are, I think we honestly appreciated the return of vibrant colors.

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Walking through the waterfall led us to a garden; the garden led us to a torch-lined path; and on the other side of the torch-lined path, the gentle slope of giant flowers I'd first seen when he'd first brought me to Avilion Isle. Oh, my. Come full circle, indeed.

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Then I took him to E's, and showed him Eeron Kilian's Drow skins. While there are many Drow skins on the grid, I truly believe that Eeron's and Nomine's are the best-looking. And Munchflower Zaius, the mind behind Nomine, doesn't offer demo skins for the Drow.

If you're going to visit the Underdark...tread lightly, offer no one disrespect, travel armed, and travel in stealth. Try very hard not to be seen. And you may escape with a night of wonders behind your eyes...instead of wondering why there's a Drowess debating between the heated tongs and the thumb clamps...

17 April, 2007

darling, so there you are, with that look on your face

You know
our love was meant to be
the kind of love that lasts forever.
And I want you here with me from tonight
until the end of time.
You should know
everywhere I go


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The grand ballroom at the castle on Avilion Isle is one of the most amazing spaces on the grid. It's definitely one of the most elegantly appointed ballrooms I've seen, hands down. It's gorgeous start to finish, with a deep reflective floor that seems to go down for miles.

Always on my mind
in my heart
in my soul
baby.
You're the meaning in my life
you're the inspiration.
You bring feeling to my life
you're the inspiration.
Wanna have you near me
I wanna have you hear me sayin':
No one needs you more than I need you.


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There are side chairs to sit in and nooks to withdraw for quiet communication and scattered liberally throughout the large space are the traditionals--ballroom dancing, waltz sets, tangos, slow dancing.

And I know
yes
I know that it's plain to see:
So in love when we're together.
Now I know that I need you here with me
From tonight until the end of time.
You should know
everywhere I go


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This was one of the songs playing when my neko lad--not so very neko in these images, and this night--and I were swaying across the floor. We needed a quiet space to talk, to gain each others' trust again, to communicate, heart to heart.

I took him here. I wanted to be surrounded in beauty if I was to bare my soul. Sometimes, we get that choice.

Always on my mind
you're in my heart
in my soul.
You're the meaning in my life, you're the inspiration...


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The Avilion Isle grand ballroom is formal dress only. That means tea-length dresses or longer on ladies, and tuxedos or formal suits on men. They have no qualms on evicting people who do not conform to the dress code.

I think I will have little problem conforming; it gives me a chance to actually wear my ballgowns. They get so little use these days...

Wanna have you near me
I wanna have you hear me sayin':
No one needs you more than I need you.
You're the meaning in my life
you're the inspiration.
You bring feeling to my life
you're the inspiration.


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Beyond the ballroom, there's an amazing Elven land full of wonders. This statue and others are placed on the land, highly detailed, amazingly so. Everywhere I turned, walking, there was art, there were flowers, there were delicate little walkways and places to sit, and talk, play music, or stroll...it's truly breathtaking.

When you love somebody 'til the end of time
When you love somebody
always on my mind
No one needs you more than I.


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After we talked, I needed to find a quiet space on my own, and sit, and think. Behind me in this image is a half-circle of stone-walled, thatched-roof cottages, with little shops. In the center of the half-circle is a fountain, with the most realistic dragon statue I've yet seen. It's for sale, by the way, though you'd nearly need to dedicate a parcel of land just for it.

When you love somebody 'til the end of time...
When you love somebody 'til the end of time...


"I need rescuing, is what you're saying," I asked him.

"You have been rescued," he told me.

Oh. That's good, then. I have been rescued.

Okay. I'll keep that in mind.

(Lyrics are Chicago's "You're My Inspiration")

it's just your shadow on the floor

(This section was written on July 11th...) Great. Sat myself down today after oversleeping, and told myself sternly I was not going to log...